COLONY is an immersive sound installation that probes the complex relationship between bees and humans and seeks to challenge the dominant bee-metaphors used for millennia to prop up religious and capitalist ideals, for example, of industry, purity and chastity.
I am one of five artists selected for the Uncommon Art Residency in Jackson Wyoming. I will be working with local artists to enact a series of sound interventions that explore Charles Babbage's notion that sounds, once uttered, circle the globe for eternity.
I am one of three individuals selected to be an artist in residence at the Zion National Park in 2022. I will be in living in the park for the month of February recording, interviewing and seeing where the location takes me. I am the first sound artist to be selected for the program which has existed since 2010.
This audio work was created for the project "The Dream Had Me" for Earlid, Curated by Joan Schuman. It recontextualizes unearthed minidisc recordings I created between 1999 and 2007. A revised audio biography and sonic reverie.
Audio work created for Project Inferno, a celebration of the 700th Anniversary of Dante's Inferno presented at Cities & Memory. It explores the idea of gravity and as Dante and Virgil get close to Lucifer at the center of the planet, strange things begin to happen.
4-channel live sound performance at Ground Floor Gallery. A collaboration with the artist Sandra Lapage and a conversation with her installation Warp & Weft.
A performance developed for the art and technology festival “9e2” (Nine Evenings 2) in Seattle, Washington. It uses the DNA data of two percussionists to influence the creation of a series of glass objects as well as the sequence of actions of those percussionists during the performance.