Warp and Weft / Warf + Wept – with Sandra Lapage (2019)
4-channel live sound performance at Ground Floor Gallery. A collaboration with the artist Sandra Lapage and a conversation with her installation Warp & Weft.
4-channel live sound performance at Ground Floor Gallery. A collaboration with the artist Sandra Lapage and a conversation with her installation Warp & Weft.
Audio work created for the online project Earlid, curated by Joan Schuman that features recordings captured at the Marble House Project in Dorset Vermont, the site of an abandoned marble quarry in a village of abandoned marble quarries.
Installation exhibited in the group show Pushing Buttons at Agnes Varis Art Center in Brooklyn, NY. It includes glass objects, dry ice, video, and viewer interaction that determines the playback of audio.
Silicate Soundscapes co-taught with Ben Wright UrbanGlass Brooklyn, NY A one-week intensive class co-taught at…
A collaboration with research Scientist John Burns for the LIGO Project. It is a sound installation that explores connections between language and the transmission of genetic information.
Just added from the archives! a 2009 kids workshop in which we worked together to recreate the sounds of a storm.
Live performance at UrbanGlass with glass blowing, percussion and sound manipulation. It combines the alchemical qualities of glass, Rabelais’ Gargantua and Pantagruel and the words of Donald Trump.
A series of related works created during a Family residency at Marble House Project in July 2017. The title alludes to the three-part structure of the work with each word of the tile acting as an organizing theme.
An exhibition that I curated for the Center for Book Arts in NYC inspired by the work of Italian designer and artist Bruno Munari.
A collaborative installation with Emma Critchley for the exhibition Ocean Imaginaries at RMIT in Melbourne. It combines her video with my sound installation.
A performance developed for the art and technology festival “9e2” (Nine Evenings 2) in Seattle, Washington. It uses the DNA data of two percussionists to influence the creation of a series of glass objects as well as the sequence of actions of those percussionists during the performance.
This is a work created for the online sound journal EARLID that hosts a curated…
Odd Volumes Yale University Art Gallery My work entitled Pageturner from 1997 was included in…
I am full time faculty at Parsons School of Design, a part of the New…
Exhibition: Whereabouts Het GlazenHuis http://www.hetglazenhuis.be Lommel, Belgium Pearl Flask was initially developed for a larger installation called Instrument…
Het GlazenHuis http://www.hetglazenhuis.be Lommel, Belgium When I was invited to participate in the exhibition Whereabouts…
Passage, is a 10 minute continuously looped video by Emma Critchley with a live underwater…
NARS: New York Artist Residency and Studio Foundation http://www.narsfoundation.org Sunset Park, Brooklyn. NY The NARS International…
A batch of drawings created for the exhibition Sequence of Waves (2011.) My contribution to…
Residency: Triangle Artists' Workshop http://triangleworkshop.org Held at Salem Art Works Salem, NY The Triangle Artists'…
Siren Earthquake Radio (with Craig Dongoski) Residency and project at The Ionion Center for the…
Artist in Residence Pilchuck Glass School Stanwood, WA June 1 - 19, 2015
Conversation at 2 West 13th Street is an extension of a sound showcase hosted by…
Exhibition: Intangible Leslie Heller Workspace 54 Orchard Street New York, NY 10002 Exhibition Curated by…