Multi-channel sound installation. Immersive sound and glass objects forge an unlikely connection between an absurd work of 16th century literature, the ancient pseudo-science of alchemy, and political hate speech.
Installation exhibited in the group show Pushing Buttons at Agnes Varis Art Center in Brooklyn, NY. It includes glass objects, dry ice, video, and viewer interaction that determines the playback of audio.
Silicate Soundscapes co-taught with Ben Wright UrbanGlass Brooklyn, NY A one-week intensive class co-taught at…
Live performance at UrbanGlass with glass blowing, percussion and sound manipulation. It combines the alchemical qualities of glass, Rabelais’ Gargantua and Pantagruel and the words of Donald Trump.
A collaborative installation with Emma Critchley for the exhibition Ocean Imaginaries at RMIT in Melbourne. It combines her video with my sound installation.
A performance developed for the art and technology festival “9e2” (Nine Evenings 2) in Seattle, Washington. It uses the DNA data of two percussionists to influence the creation of a series of glass objects as well as the sequence of actions of those percussionists during the performance.
Exhibition: Whereabouts Het GlazenHuis http://www.hetglazenhuis.be Lommel, Belgium Pearl Flask was initially developed for a larger installation called Instrument…
Het GlazenHuis http://www.hetglazenhuis.be Lommel, Belgium When I was invited to participate in the exhibition Whereabouts…
NARS: New York Artist Residency and Studio Foundation http://www.narsfoundation.org Sunset Park, Brooklyn. NY The NARS International…
Artist in Residence Pilchuck Glass School Stanwood, WA June 1 - 19, 2015
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